KGBR
Friday, October 31, 2008
NOV. 4TH
Loopmasters - DownbeatGuitars
Download:
http://rapidshare.com/files/68595102/23446.part1.rar
http://rapidshare.com/files/68598863/23446.part2.rar
PASSWORD: AleX
200 drum machines
download
http://www.hexawe.net/mess/200.Drum.Machines/
Sunday, October 26, 2008
NEW CHALIE BOY
http://www.zshare.net/audio/504578170fdba80d/
Wednesday, October 22, 2008
al-qaeda supports McCain?
Supporters of al-Qaeda have said they would prefer Republican candidate John McCain to win the US election because he is more likely to continue the wars in Iraq and Afghanistan.
Last Updated: 2:01PM BST 22 Oct 2008
In a message broadcast on the password-protected al-Hesbah site, the group said they would also welcome a pre-election terror attack on the US because that would make a McCain win more likely.
In an endorsement that will not be welcomed by Mr McCain's flagging campaign, the group said that if al-Qaeda wants to exhaust the USmilitarily and economically, the "impetuous" Republican presidential candidate is the better choice.
"This requires presence of an impetuous American leader such as McCain, who pledged to continue the war till the last American soldier," the message said.
"Then, al-Qaeda will have to support McCain in the coming elections so that he continues the failing march of his predecessor, Bush."
"If al-Qaeda carries out a big operation against American interests," it said, "this act will be support of McCain because it will push the Americans deliberately to vote for McCain so that he takes revenge for them against al-Qaeda. Al-Qaeda then will succeed in exhausting America till its last year in it."
Mark Salter, a senior McCain adviser, had no immediate comment.
The message is credited to a frequent and apparently respected contributor named Muhammad Haafid. However, Haafid is not believed to have a direct affiliation with al-Qaeda plans or knowledge of its operations
Tuesday, October 21, 2008
Ableton.Live.v6.0.7-AiR
Live offers two main views—the Session View and the Arrangement View—that interact in a powerful and unique way, allowing you to create, produce and perform your music all in a single application. Here is the principle behind each view:
Session View
Live's unique Session View acts as a powerful musical sketch and launch pad, allowing you to try out new ideas easily and improvise freely. Each cell in the Session View grid can hold a recording, MIDI file, or any other musical idea. These ideas can be recorded on the fly or dragged in from the Browser and played in any order and at any time you wish.
Arrangement View
The Arrangement View offers a timeline-based approach for traditional multitrack recording, MIDI sequencing and other music production tasks. You can even improvise in the Session View, and all of your actions will be recorded into the Arrangement View, where they can be edited whenever you like.
Live Showcase
Elastic Audio Manipulate the tempo and feel of your music as it plays.
Uninterrupted Creative Flow Record, mix, match and add effects without ever stopping the music.
Defy the Timeline Freely improvise musical structure instead of constructing it.
For Studios Bring the creative power of Live to your studio environment.
For Beat Creators Streamline your beat production and gain endless creative possibilities.
For Sound Designers Create radical variations of your samples in real time.
For DJs Elevate your DJ sets. Remix, mash up and produce your music.
No Idea Lost Effortlessly build and browse your library of musical ideas.
Hands On Control Express yourself with your hands (or your feet!)
Live 6.0.7 Features
Multitrack recording up to 32-bit/192kHz
Complete nondestructive editing with unlimited undo
Powerful and creative MIDI sequencing of software and hardware instruments
Real-time time-stretching and warping of AIFF, WAV, Ogg Vorbis, FLAC and MP3 files, for improvisation and instant remixing
A comprehensive selection of built-in audio effects, including a host of creative delays, filters, distortions, studio compressors and EQs
Built-in software instruments: Simpler for creative sample-based synthesis, Impulse for sampled drums
Instrument-, Drum-, Effect Racks for creating and managing complex performance setups, drum kits and multi-effects
VST and AU effects and instruments support; automatic plug-in delay compensation
REX file support and native sliced audio file creation
Video import and export for scoring to picture or warping picture to music
Real-time control of parameters with any MIDI controller—just MIDI-map it or choose from a list of popular supported controllers for instant mapping
Full ReWire support
Single-screen user interface for simple, creativity-focused operation
Multicore and multiprocessor support
Essential Instrument Collection 2
The boxed version* of Ableton Live 6.0.7 includes the Essential Instrument Collection 2, a multi-gigabyte library of meticulously sampled instruments providing a choice selection of acoustic and electric pianos, guitars, bass, drums, orchestral strings, brass, woodwinds and more.
* Not included with boxed upgrades.
Also Includes
Loops and construction kits: Unnatural Selection by (boxed version only)
Printed reference manual in English, Spanish, French, German or Japanese (boxed version only)
Extensive built-in step-by-step tutorials
Localized software menus, tutorials, and PDF reference manuals available in English, Spanish, French, German and Japanese
System Requirements
Mac: Any G4 or faster (Intel Mac recommended), 512 MB RAM (1 GB recommended), Mac OS X 10.3.9 (10.4 or later recommended), QuickTime 6.5 or higher, DVD-ROM drive
Windows: 1.5 GHz CPU or faster, 512 MB RAM (1 GB recommended), Windows XP or Windows Vista, Windows compatible sound card (ASIO driver support recommended), QuickTime 6.5 or higher, DVD-ROM drive
ableton 7 out now go buy it! this is my choice of recording.
copy and paste in enjoy.
read nfo in .rar to install
IZotope.Ozone.VST.DX.AS.RTAS.HTDM.v3.13.incl.Keygen-AiR.rar
Hey ya'll i got some treats for you and your studio thats a must for you? here it is.
Mastering—everything from correcting mistakes made in the mix to preparing a recording for target listening environments—makes all the difference between a good sounding mix and a professional sounding final product. Ozone 3 integrates all the tools you need to master the commercial sound instantly: Broad equalization to balance the tone, multiband compression to control the dynamics, harmonic excitation to inject punch and sparkle, stereo imaging to sculpt the sound stage, loudness maximization to raise the level of the entire track to the standard for commercial use, and dither to maintain every last bit of quality. Combining analog modeling and digital precision, it’s all integrated in one incredibly clean 64-bit environment. And the professionally designed presets and the acclaimed Ozone 3 Mastering Guide walk you step-by-step through making broadcast-ready masters. Mastering Demystified
Even among the most experienced musicians and producers, mastering has been regarded as a black art—until iZotope’s Ozone 3. Not only is the program extremely powerful and intuitive, it features an extensive Mastering Guide that actually demystifies the mastering process. Ozone 3 also ships with a wide array of presets that are ready for many mastering situations—not to mention educational. Get immediate results by auditioning several presets to find the closet fit—so you spend less time tweaking and more time producing. For more control, mix and match preset settings using the advanced preset manager!
Analog Modeling
Ozone is the result of extensive research in analog modeling. Ozone 3 provides compression, equalization and harmonic excitation that recreate the behavior exhibited by analog equipment. Analog processing has certain nonlinear aspects that a mathematician would consider "wrong" but sound better musically. Any analog equalizer, for example, applies a small phase delay to the sound. These types of “imperfections” provide the analog characteristics of warmth, sparkle, depth and an overall pleasing sound. Ozone 3 captures the essence of analog gear to deliver sweet sounding masters.
Digital Precision
While analog modeling can provide a pleasant character or “colorization” to the sound, in some situations precise or “transparent” signal processing is desired. For example, you may wish to equalize or notch out a frequency without introducing the phase delay inherent in analog filters. For these applications, Ozone provides a digital, linear phase equalizer and crossover for a level of surgical precision not possible in analog hardware.
64-bit Audio Processing
When processing audio, Ozone 3 can perform thousands of calculations on a single sample. In any digital system, each of these calculations has a finite accuracy, limited by the number of bits used in the calculation. To avoid rounding errors from interfering with the audible portion of the audio, Ozone 3 performs each calculation using 64 bits. Can you hear 64 bits? No, but that’s the point. Ozone 3 pushes the rounding errors down into the inaudible range.
Useablility Enhancements: Undo History
Ever have a late night recording session only to wake up in the morning with a tinny, horrible-sounding master? Audio fatigue is a real problem, and in this situation you would have to scrap the work and re-master the track. Ozone 3 addresses this problem with the ability to undo any and all parameter changes—even between sessions! As you tweak controls, each movement is captured and displayed in the History list. To hear a previous setting, simply click up the list to the point you want to audition. When working with mastering effects, perhaps most notably EQ and dynamics, it’s very easy to get accustomed to the “new” sound and overdo the effect. The History list lets you quickly jump back for comparisons to refresh your “auditory memory.”
Seven Plug-ins in One Integrated Interface
Mastering requires a specific set of tools and Ozone 3 has them all. Rather than a bundle of separate plug-ins, Ozone 3 is a single integrated system. This integration allows for a logical, optimized interface and superior sound quality not possible with a chain of independent plug-ins. With extensive metering, an integrated preset system and full undo history, Ozone surpasses standard “plug-in” expectations to streamline workflow, save time and keep you focused on creative work
if you're gonna use it please buy it.
please read the nfo file in the .rar file for installation
copy and paste the link below enjoy
http://www.zshare.net/download/501592481ef92d18/
Monday, October 20, 2008
THIN LIN3
MR GET IT BOY! MIXTAPE VOL. I
DAY AFTER vol 2.1
THIS IS PT. 2.1 OF A SET OF OLDSCHOOL MIXTAPES MIXED AND ARRANGED BY MYSELF AND ARE GEMS THAT I WANTED TO SHARE VOL. I AND II WERE BIG SUCCESSES AND IF YOU DON'T HAVE EM I'LL PUT A LINK ON HERE SHORTLY. BUT FOR NOW HERE IS VOL II.I AND THERES NOTHING TO EXPLAIN ITS SELF EXPLANITORY AFTER YOU DOWNLOAD SO JUST COPY AND PASTE THE LINK AND ENJOY!
COPY AND PASTE BELOW
http://www.zshare.net/audio/500972696f170377/
Friday, October 17, 2008
THE STATE OF HIP HOP IN CLUBS IN EL PASO TEXAS
By Adriana M. Chavez / El Paso Times
Article Launched: 10/13/2008 09:46:41 AM MDT
EL PASO - Three weeks after a shooting outside of an East El Paso nightclub after a hip-hop music event, hip-hop show promoters and artists, along with local venues, are still experiencing negative after affects.
Deshaun Williams was arrested last week in connection with the Sept. 21 shooting outside of Graham Central Station that injured 12 people, two critically.
The day after the shooting, Teleah Callins president of Denver-based Heavy Ghetto Entertainment, was told by managers of Studio 69 in Downtown El Paso that her Oct. 3 show, featuring New Orleans rapper Baby Boy Da Prince, was canceled.
"They were afraid to have him because he was a 'down south' (a term describing a style of rap) artist, but he's a pop artist," Callins said.
Callins said she was told Studio 69 didn't play the style of music of Baby Boy Da Prince, but Callins said she believes the cancellation had to with the negative stigma placed on hip-hop events in El Paso.
"It wasn't until the news story (of the shooting) came out that he decided he wanted to cancel," Callins said.
Representatives from Studio 69 couldn't be reached for comment.
Callins said she eventually found another venue for her show, which took place Oct. 4, but the show was unsuccessful.
"We lost a bunch of money on that show," Callins said. "El Paso has left a bad taste for our entertainment company."
Representatives for artists performing at a concert Oct. 19 at Cohen Stadium, featuring headliners Don Omar and
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Tego Calderon, are also fearful that that show will be canceled.
One of the artists scheduled to perform, rapper Silkski, said he has a large fan base here and hopes the concert goes on as scheduled.
"I once did a show at Club Volare, and there was no problem. It turned out well, there was a full house, everything was good," Silkski said. "For (the shooting) to affect us and affect our livelihood because somebody decided to shoot, that has something to do with something going on locally."
Silkski said hip-hop as a whole is not associated with gang violence, but because many gang members associate themselves with the style of music, it casts a dark shadow over hip-hop.
"They're giving rappers a bad rap," Silkski said. "There is 'gansta rap' out there that does contribute to that, but there's a whole lot of hip-hop out there that's not like that."
Managers of at least one El Paso venue, Ice Bar at 3233 N. Mesa, still host a hip-hop night, but have revamped their dress code and security, and are targeting an older audience.
"We're not even targeting 20 and under, we're strictly 21 and over now," said manager Rudy Mendivil. "Generally speaking, hip-hop always had that bad vibe, but in the club industry, we try to get a feel for people who just want to have a good time."
Mendivil said the new dress code restricts jerseys, head wear or obvious gang tattoos.
"We want people to come in here and make sure they have a good time," Mendivil said. "They don't have to worry about the negativity attached to hip-hop."
Adriana M. Chávez may be reached at achavez@elpasotimes.com; 546-6117.
ROSCOE/NOTORIOUS B.I.G. STRESSFUL POLITICS
DOWNLOAD ZIP
http://www.wideworldthelabel.com/roscoemailjobs/STRESSFULPOLITICSNEWS/Rosco-NotoriousBIG-Stressful_Politics.zip
Thursday, October 16, 2008
FUSTRATIONS FEATURING CITE
Wednesday, October 15, 2008
COMING SOON!
MY NAME IS UH!
MAKE IT WET
TIMES UP (TOMORROW)
WELL THANKS TO THE LABELS SATURATING THE MARKET WITH BULLSHIT AND NOW MUSIC, WHATEVER HAPPEN TO MAKING A CLASSIC? I MEAN EVERY MOVEMENT THATS GONE ON IN THE LAST 5 YEARS IS DEAD AND GONE. SOMETIMES I WISH THAT REGIONAL SWAG WOULD JUST STAY IN THEIR RESPECTED REGIONS, THAT THE MANY DIVERSE STYLES WOULD STAY LONGER. WELL THIS SONG IS JUST SAYING THAT TOMORROW IS A NEW DAY AND SHITS GOTTA GET BETTER.
THIS IS THE LEAD OFF SINGLE FOR BEATS RHYMES AND LIFE!
BEATS RHYMES & LIFE THE ALBUM
First and foremost i'm a dj and due to the state of hip hop and the economy and so on decided to make an album that explains peoples feelings. Not on a fictional basis where niggas own all this lavish things like maybachs double RRs and G5s, but things we dream about things you see on the news everyday life hence the name of the album.... "Max Hussle presents.....BEATS RHYMES & LIFE." By no means am I claiming to be a gangsta, doe boy, rapper with dope,etc...but I am a nigga with a gun that stays hungry and and in search for fedi (maybe yours, lol).
I'm also a member of the Bumsquad Dj's, former radio personality (crack radio),producer and of course a dj. My influences are Large Professor,Diamond D, Pete Rock, Marley Marl, Kanye West, J Dilla, Premier just a name a few. You will see the influences through my music so I pray that you would enjoy and join my movement towards beats rhymes & life..
MAX HUSSLE presents BEATS RHYMES & LIFE
artist: POOH HEFF
produced mixed and arranged by: MAX HUSSLE
coming soon
lead singles "TIMES UP" & "GET IT WET"
If you're from overseas(outside the US) please feel free to hit me up i would love to learn about your culture.
PLEASE VISIT OR LEAVE COMMENTS AT REVERBNATION
poohheffdamayor.reverbnation.com